The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A former high school teacher Sugiura lost everything when he was caught, peeping photos of his favorite student and living a degenerate life. One day, a girl named Rumi, wearing high school uniform, appears in front of Sugiura. They are immediately drowns in lust and Rumi crashes into Sugiura's apartment. Gradually, Sugiura becomes obsessed with Rumi and tie her down. When Sugiura's dark desire to leave her in a beautiful, young appearance forever, and Rumi's deep feeling towards Sugiura crosses, they head towards a beautiful but sad ending.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.