A year after one of their ranks commits suicide, the remaining members of a Midwest bridge club — along with substitute Ellen — continue to hold their weekly game. The film uses a high-stakes card game as a metaphor for the complexities of human connection. As players navigate the intricacies of strategy and chance, their moves reveal deeper themes of trust, vulnerability, and the unpredictable nature of relationships. The narrative weaves humor with tension, inviting viewers to reflect on how every decision—both in the game and in life—carries emotional weight and potential for unexpected outcomes, resonating with the modern queer experience.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
