I Wish "Senior Year" Was Better
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.


When The Black Phone hit theaters in 2022, it delivered more than just a period horror story. It tapped into something darker, something quieter, and something that lingered long after the credits rolled. Directed by Scott Derrickson (Sinister, Doctor Strange) and adapted from a short story by Joe Hill, the film tells a tale set in the 1970s but driven by timeless fears: abduction, voicelessness, and the desperate hope for survival.
Set in a sleepy Denver suburb, the film follows 13-year-old Finney Blake (Mason Thames), a quiet and soft-spoken boy who gets kidnapped by a masked man known only as The Grabber (a deeply unsettling Ethan Hawke). He wakes up in a soundproof basement where a disconnected black phone begins ringing… but only Finney can hear it. On the other end: the voices of The Grabber’s past victims, calling to help Finney survive what they could not. Derrickson creates an atmosphere that’s both claustrophobic and nostalgic. Muted tones and hazy cinematography ground the story in the gritty texture of 1970s suburbia. It was a time when kids roamed free, but danger lurked nearby. The fear here isn’t just the masked villain; it’s the silence of adults, the absence of trust, and the helplessness of children in a world that fails to protect them.



Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.