“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

A live performance from The Black Keys 2005 Australian tour. It was recorded from a show at The Metro Theatre in Sydney, Australia on March 18th 2005.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
“There’s always something you can do…to make people feel like they’re welcome”