Three old schoolmates, who in their time as students had formed a kind of secret society called The Black Hand, in order to embitter teachers' lives, meet again years later with very different lives. One is a dad's son who is distracted as best he can; another has become a writer of espionage novels and is persecuted by the CIA, and the third leads an indolent life without further ado. The reunion of the three friends will make the society of La Mano Negra revive.
Fernando Colomo
Director
Antonio Resines
Carlos
Carmen Maura
Rosa
Joaquín Hinojosa
Mariano Garrido
Íñigo Gurrea
Falceto
Virginia Mataix
Isabel
Fernando Vivanco
Boyero
Manuel Alexandre
Jefe de personal
Emilio Urdiales
Aprendiz de gángster
Manuel Huete
Padre de Manolo
Mary Carrillo
Madre de Manolo
Tony Devon
Franco 'Mad Dog' Portelli
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.