An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

Renowned streamer Liu Ching-yi wakes up from darkness, only to find herself trapped in an abandoned house that feels like a prison. In a desperate bid for survival, she must seek help from the interview director, Liao Tien-ling, who has always been her rival. Together, they embark on a thrilling escape room challenge known as the "Black Box." They must correctly answer all ten questions to unlock the iron door; however, a single wrong answer will seal Liu Ching-yi's fate, leaving her forever in the shadows.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.