The Lovebirds: It Doesn't Soar, But It Glides
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.

Intercuts dramatic photographic stills from the clashes in 1984 with footage of the clashes re-enacted in 2001, together with moving and powerful testimonies, to tease out the complexities of this bitter struggle.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.