'Overcast' - MiamisFF Review
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

Set in the modern era, Dionysus (God of wine and ecstasy) returns to his hometown in order to clear his mother's name and punish the insolent city for not allowing its citizens to worship him. The clash between Dionysus, played as a modern-day rock star, and his cousin Pentheus, the uncompromising and moralistic king of the city, examines the consequences of a general public that blindly follows two vastly different leaders. Dionysus represents unbridled freedom and excess while on the other end of the spectrum, Pentheus epitomizes excessive law, order and rigidity. As society slides into fear and tribalism, its citizens' rationale becomes clouded as they blindly take orders and pick sides rather than seek moderation and rationality.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
How do zombie films shine new light in the post-Covid and post-Brexit era?