Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Taken in one concentrated best-of dose, it becomes evident what a coup The B-52's pulled off when they turned their own concentrated craziness into genuine hits. This is some of the weirdest stuff ever to make the charts, much less beloved by the masses. It's all here through the mad surf guitar of Ricky Wilson (and later Keith Strickland), the banshee wails of Cindy Wilson and Kate Pierson, and, of course, the, um, well, let's say vocalizing of freaky Fred Schneider. "Party out of Bounds" with a "Rock Lobster" on "Planet Claire," or "Roam" over to the "Love Shack" in "Private Idaho." Whatever you do in The B-52's universe will at least be good, clean, perverse fun
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
Falling in love with 'Rocketman" all over again.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.