Inspired by a true a story. In 1888 James S. Jameson, heir to the Jameson Whiskey dynasty, returns to Ireland after a year long expedition to the Congo. Things start to unravel as he attempts a return to normality. Will he choose to face the truth? Or will he choose the axe once more?
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
