A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

One in a series of twelve films in which the great French mime Marcel Marceau performs some works from his repertoire. In his introduction Marceau calls mime the essence of life and suggests that it can reach the soul through silence. In this pantomime he expresses life from the womb to the grave in a few minutes and illustrates one of the art's most notable characteristics - its ability to condense time and to create through time the pulse of humanity.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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