
Dirty Harry meets Charlie's Angels in this cheapie crime thriller directed by Chueng Kon-man. Hoping to stem Hong Kong's exploding crime rate, the police decide to issue guns to select number of female officers. Soon bumbling veteran Madam Chu (Carrie Ng) and young eager beaver rookie Ling (Valerie Chow) are assigned as partners. On their first day on the job together, they happen upon a massive arms cache belonging to notorious gangster Law Man-tat (Ng Man-tat). Soon afterwards, Chu's husband and son are murdered by mobland thugs. Looking for revenge, she goes undercover as a crime world lawyer, winning Law's trust. Yet when she tries to transfer some incriminating evidence onto a computer disc, she gets caught red handed. Chu is beaten and strapped to a bomb, while her abductors demand $10 million ransom. Meanwhile, Ling who fell for rakish detective Ng (Roy Cheung) is working on her own way to free Chu and get the baddies.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Canvas illustrates the story of a grandfather who, after suffering the loss of his beloved, struggles to reclaim his love for painting.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.