The Age of Adulting 

Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.