“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

After befriending documentarian Joshua Oppenheimer, former Indonesian death squad leaders reenact their real-life mass killings in the style of various American film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch