Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

Farés a taxi driver, the happiest man in the world brings his wife Fatma home from the clinic after having their first born son, but fate decides otherwise when he picks up a mysterious passenger.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.