In this dark comedy set in the early 1990’s, all Serge wants to do is write his "Fucking Best Seller". When his publisher nags him to shake things up and bring out his ‘mainstream potential’, he gives it all he has and, with a killer edge.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Women have always been integral to science fiction, and these amazing women prove why.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
