Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

Modern Ethiopian big band orchestra music finds its unlikely origins in the royal adoption of 40 Jerusalem orphans of the Armenian Genocide by Emperor Haile Selassie. Their presence as the first royal imperial band would make way for the composed music of Ethiopia's first national anthem, the popularization of brass instruments, and in later decades, a jazz revolution that sweeps the country before descending into the throes of the communist Derg regime. Told through first-hand accounts with Ethiopian jazz greats such as Alemayehu Eshete, Mulatu Astatke, Girum Mezmur, as well as Sammy Yirga and while following Vahé, the only performing Armenian singer / musician in Addis Ababa, TEZETA opens the musical door to a light of memories of a jazz club, a beloved teacher, and a golden musical era forgotten by many.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
A dynamic journey of self-acceptance and identity.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.