A story of a woman, of passion, desire, searching, doubt, struggle, and fulfillment... Beneath her veil, a woman questions herself. Each fold of her veil brings back a memory and a choice. Her poetic and musical monologue accompanies her personal memories, ultimately leading her to find herself. Mihiri Mušsžfik, the first female painter in Turkey, who lived an extraordinary life, defying the norms of her time, is the inspiration for the film.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
A legacy based on the comic strip for old and new fans of Peanuts.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
