No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

The Kanto-based Aoi-kai seeks nationwide domination and sets its sights on the Nagano-based Taketomi-kai. Tokunaga (Kiyoshi Nakajo), chairman of the Aoi-kai, launches an assault to bring them under his control. Eventually, Taketomi-kai’s leader Katsuo Taketomi (Yuichi Kimura) is gunned down, forcing the group to disband. As a result, Masaki Koda (Koichi Miura), father of Shinichi Koda (ISSA), announces his retirement. Shinichi, once a civilian running a construction business, loses everything as Aoi-kai expands into Nagano. Burdened by a promise to his father, the loss of his work, and his strained relationship with his half-brother Shigekazu (Yoshiyuki Yamaguchi) of the Aoi-kai, Shinichi heads to Kanto to fight back. Determined to live with pride, Shinichi’s resolve draws a group of unique, fearless men around him. Together, they ignite a fierce yakuza battle that marks the beginning of an epic underworld saga.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Celebrate Pride with these movies and TV shows available on popular streaming services. (Good news: a lot of them are available for free.)
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.