10 Shakespeare Films to Watch for the Aesthetic
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."

The Kanto-based Aoi-kai seeks nationwide domination and sets its sights on the Nagano-based Taketomi-kai. Tokunaga (Kiyoshi Nakajo), chairman of the Aoi-kai, launches an assault to bring them under his control. Eventually, Taketomi-kai’s leader Katsuo Taketomi (Yuichi Kimura) is gunned down, forcing the group to disband. As a result, Masaki Koda (Koichi Miura), father of Shinichi Koda (ISSA), announces his retirement. Shinichi, once a civilian running a construction business, loses everything as Aoi-kai expands into Nagano. Burdened by a promise to his father, the loss of his work, and his strained relationship with his half-brother Shigekazu (Yoshiyuki Yamaguchi) of the Aoi-kai, Shinichi heads to Kanto to fight back. Determined to live with pride, Shinichi’s resolve draws a group of unique, fearless men around him. Together, they ignite a fierce yakuza battle that marks the beginning of an epic underworld saga.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
It’s dark, uncomfortable, and there are things that don’t make sense.