“You Can See Everything” and it’s a Lot
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.

Bob Stevens awakens in a hospital with a gunshot wound to his head, and is told that he has been in Paris for ten days. However, this cannot be true because he insists that he crashed his plane and has no recollection of being anywhere for ten days. Bob decides to follow a note found in his jacket, to the woman who wrote it, "Miss D", and get to the bottom of the whole strange situation.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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