In his teen years, Leo has become used to his father's frequent absence, getting by each day through the care of his mother and the presence of his friends down the block. His father, Ron, was usually out of a job, yet comes home drunk and abusive to his wife Anne. Leo tolerates the his father's abusive remarks to not make things worse, until Leo hears him slapping his mother. Out of rage, Ron storms out to leave them, yet Leo does not hesitate to chase him outside. He fails to catch up with his father on a tricycle. The following day, his friends appear before him as they tease him. He breaks down in tears as he chases them. The childish games and insults would never be the same for Leo.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
A family drama is woven with quiet yet powerful forces of words and nature.
This fantasy movie released on Disney+ has strong topics and themes related to magic.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
