Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

One day, Tatsumi, a lonely underworld worker, comes across the murder scene of his ex-girlfriend Kyoko. Tatsumi escapes with Kyoko's younger sister, Aoi, who was with her. On the other hand, Aoi, who has lost her beloved family and vows revenge, pursues the murderer of Kyoko. Tatsumi, who is at loggerheads with the impudent Aoi, decides to accompany her on her journey for revenge, and as he cooperates with her, a certain feeling begins to develop.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.