Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A steel mill about to close divides a city in southern Italy. The conflict between environmentalism and labor is posed in apparently unsolvable terms. The director embarks on a contemporary drama with expositive clarity, power and good faith—history is also written in the present tense.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.