Set in a mining town, it records the development of two shy people falling in love but finding it difficult to express their true feelings. Tamas a young coal miner has an eye for the girls but is too bashful to ask for a date. Juli is a teacher in charge of a kindergarten. She too has yearnings for love but fears showing the feelings bubbling within her. The quiet and tender moments the lovers spend together are contrasted with the overpowering gigantic and noisy coal mine with its dirty metal trucks and endless rubber conveyor belts. There is an atmosphere of impending danger within the mine.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
