"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Sweetmeats City Times news reporter Paxton Paddlepop is on location at MOSA (the Museum of Sweetmeat Art) to learn what’s truly baked under the crust of contemporary Sweetmeat art. Through a series of one-on-one conversations, Paddlepop explores the confectionery stories behind a slew of emerging and prominent Sweetmeat artists as he seeks to answer the modern art question of our day: “Why art?”
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Queen & Slim is a nice example of representation in both cast and crew
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.