'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

Shoreline images: first small breakers and the swirls they leave, then water running up the shore on a sandy beech, then water hitting pebbles and rocks. The second half is a close look at a sluggish eddy of seaweed, moving to and fro on the surface, like sodden twigs. The ocean's tide creates patterns of small surges and circles. The music of the soundtrack is more dramatic than the more gentle movements of the seaweed. Final closeups show the bulbs and leaves of the plants, then the tide takes over.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.