Anna Kilius and Sara Russo are friends. Sara's goal is to shame Anna, who does not have a lot of romance. They go out in a box. In the middle of the night, Sara, exhausted, decides to go back while Anna stays. At dawn, Anna wakes up near a suburban station. She is drugged, raped. Anna is confronted by a skeptical policeman. Vexed, she does not complain. Anna starts the hunt for her rapist thanks to hyperosmia, a large olfactory memory and a keen sense of smell. Thanks to the sexual pheromones, she thinks she finds the rapist. From that moment, all his certainties rock. Is this the right person?
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
