
Sul-ji, exiled from North Korea 2 years ago, is cheerful lady who is working at flower shop. Using her experience that drew propaganda paintings in North Korea, she draws wall-painting for part-timer. Desperate Broadcast producer Shin-woong, discovers her and trying to make hit documentary about her, but she hesitates minding her families still in North. Eventually she decides to go in under the condition that she hides her identity.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Intergenerational friendships and community can be so powerful, and this was a great example.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.