No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

A chopper pulls up to another. Glances are exchanged. Engines rev. Pistons move. When Vivid Girls have a bike between their legs it's only a matter of time before it's replaced with something more...well...human. Paul Thomas presents Sunny and Cher...a story about two girls and their bikes. Sunny squirts. Lux does her first scene. And then they refuel and do another lap. Right on. Ride on.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
A throwback to the last months of the 20th century in this comedy film.
The movie behind the space toy from the 'Toy Story' film series is finally here.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.