The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

In the late 1980s, a high-ranking party official, Iona Petrovich, suddenly left his prestigious post, abandoned his family, and emigrated. His wife died, unable to bear the betrayal. Their son, Andrei, grew up without parents. Time passed, circumstances changed, and Iona Petrovich returns to his homeland.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.