'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

All Bonnie Blue ever wanted was to chase tornadoes with her Dad. But dreams die with time. Now, she’s become a different kind of storm chaser — hawking storm-doors “door-to-door” for her charismatic boss, Flip Smyth: a cult-like father figure to Bonnie and his tribe of young sales bucks. In the guise of “tough love,” Flip relishes publicly shaming Bonnie and his token minority assistant, Don Stuckey, her sole ally.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.