The Best for Last: Newman, Woodward, and 'The Last Movie Stars'
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.

Tokyo’s Valentine Call is a special kind of phone club. Older salarymen pay to wait for calls from teenage girls, discreet meetings are arranged, and handfuls of yen are exchanged for a quick session of enjo kosai, or paid sex with a high school girl. Plenty of girls are doing it—some to make money for fancy, fashionable clothes and accessories, others to set a trap to rob and brutalize the old perverts. But the Valentine Call staff, horny young Ogisu and the vaguely sinister, makeup-coated Mr. Kuni, have a nasty plan of their own. Listening in on the enjo kosai calls, they conspire to trick the girls into giving them free sex. Mr. Kuni even has a twisted concept behind this scheme. He calls it enboku, his campaign to humiliate the teenage girls, drive them away from prostitution and purify Japan.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.