Why Joel Coen’s ‘The Tragedy of Macbeth’ is the Best Version
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.

Still’ Bout It picks up where the classic ‘Bout It left off, following the adventures of the legendary Pistol P (Master P) and his homie Vito (Silkk the Shocker). The ghetto Bill Pistol P is released from prison and is reunited with Vito. Upon his release, Pistol decides it’s time to go legit. The two move in with their Aunt Tee Dee and his nephew, the talented b-baller M.J. (Lil’ Romeo). After settlin in, Pitol and Vito get a job as dishwashers at a restaurant and Pitol meets the love of his life. The peace doesn't last long after Pistol encounters the notorious Cut Mob and their leader, drug kingpin Trouble (Ameer Baraka). The enraged Pistol P goes back to his gangster ways and decides to rid the neighborhood of the Cut Mob and prove he's "Still Bout It".
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.