The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

In the story, Tabuchi is this middle-aged guy whose wife divorced him and went away. One Sunday, he is alone at the house doing nothing and he noticed that some new neighbors just moved next door: Amin Nina & boyfriend. He noticed that Amin is a really hot lady, and things start to go crazy when in a series of incidents he observes that she doesn’t wear any actual underwear. He is convinced that Amin Nina does it on purpose with the ultimate goal to seduce him. But is that really the case? Well, in the movie she explains her reasons and she constantly denies that to be the case, it is hinted that she tells the truth, but it’s also implicit that she is hiding her real motives. The series of denied orgasms that follow also point in this theory.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.