'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Walter Pembroke III is a pampered pig who enjoys free food, a posh pen, and a flattering entry in the exclusive Barnyard Social Registry. Walt's best friend is Tiffany, a tough-talking spider who gets little respect and few handouts. But it is not the disapproval of Walt's snobby pals that is driving this pair of unlikely friends apart. It is Walt's expanding web of lies. When a pie disappears, Walt blames UFO's. When a bowl breaks, it's the ghost's fault. When homework goes missing, well, the dog was involved. Now Walt has fallen under the spell of Noiman Ja Rahr, a sneaky snake who schemes to take Walt to the corrupt Viperwood. Can the spider convince the pig that lying doesn't pay, or will Walt end up trapped in a frightening world where no one can be trusted?
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.