'Eve's Bayou' Brings Post-Memory Towards West-Indian Culture
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.

Shot over several days in September 2006, when Singapore hosted the World Bank and International Monetary Fund Annual Meetings, Speakers Cornered captures the thwarted attempts of nonviolence activists to protest peacefully at Speakers' Corner, a park designated for those with the urge to mount their soapboxes - though, as per the Singaporean way, not without first securing police blessing. In Martyn See's latest film, the park's legendary status as a white elephant without clothes is cast in cold hard stone. Living up to its title, its seventeen chapters reveal that to be shackled in Singapore is no metaphor. Stunning and yet strangely amusing, the litany of oppressions catalogued in Speakers Cornered are nothing if not an embarrassment to Singapore. Singapore's authorities have seen the events that unfolded that week. Why shouldn't anyone else?
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.