'Indiana Jones and the Dial of Destiny' (2023)
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

Soula Bahri plays herself in Salah Issaad’s debut feature, a road movie about a young single mother rejected by her family for dishonouring them and by a society that does not care about people like her. Trying to make it through the night with her baby, she sets out along the roads of Algeria only to find herself caught up, through a series of unfortunate encounters, in a spiral of violence. Soula is an extraordinary portrait of a woman under pressure, both from those closest to her and a society riddled with contradictions.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
The movie behind the space toy from the 'Toy Story' film series is finally here.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.