A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
