A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.
Basilio Martín Patino
Director
Francisco Franco
Self (archive footage)
Philippe Pétain
Self (archive footage)
Imperio Argentina
Self (archive footage)
Lola Flores
Self (archive footage)
José Isbert
Don Pablo (archive footage) (uncredited)
Adolf Hitler
Self (archive footage) (uncredited)
Manuel Azaña
Self (archive footage) (uncredited)
Camilo José Cela
Self (archive footage) (uncredited)
Winston Churchill
Self (archive footage) (uncredited)
Gary Cooper
Self (archive footage) (uncredited)
Salvador Dalí
Self (archive footage) (uncredited)
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A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.