Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

Filmmaker Linn Helene Løken's unknown mother's story and the program she was a part of. In the summer of 1957, four-year-old Gaby came from West Berlin to Sandefjord, where she was to spend the summer with an unknown family. Gaby was one of around 70,000 German children sent to Norway and Sweden in the post-war period, as part of an attempt to create reconciliation in a continent that was still strongly affected by the worst war in human history. But even if the intention was good, the stays in Norway were not exclusively positive for the German children.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.