Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

Ruth Fainlight (b.1931) is an American-born poet, writer, translator, and librettist, whose preeminent work in the literary arts spans five decades. Emily Andersen is a renowned interiors, architecture, landscape, and portrait photographer; Somewhere Else Entirely captures intimate moments with Ruth at home in London: making notes; out walking; and by the sea in her old home- town of Brighton. Each image is framed precisely, a testament to Emily’s expertise as a photographer; reflecting Ruth’s writing, precision is given to each aspect of composition and detail. Throughout Somewhere Else Entirely Ruth’s voice recounts aspects of her life and writing practice. A moment of poignance lies in a moving reading by Ruth of her poem, the titular Somewhere Else Entirely, which was written following the death of her husband, the writer Alan Sillitoe.Somewhere Else Entirely moves gently, a pace that blurs boundaries between moving image, photography, and portraiture.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.