Since the death of his parents, the teenage Burak lives with his uncle Cemil and grandmother in a remote Turkish village town. They try to make a living by selling pomegranates but while the religious Cemil is satisfied to live his life in poverty, Burak struggles to leave for the city and going to university. When the grandmother gets sick, both have to make tough decisions that will change their lives.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
