Slava's Snowshow is a universal and timeless theatrical poetic spectacle which has unanimously enchanted and empowered the imagination of audiences and critics since 1993 in tens of countries, hundreds of cities with multiple thousands of performances resulting in millions of ecstatic spectators from all nationalities, gender, beliefs, types and ages, probably like no other show. It is a genre of it’s own and remains as spontaneous and magical as the first day, systematically catapulting all adults back in childhood
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
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