Sikander is a story of contemporary Punjabi youth. The Punjabi youth is being dubbed as drug addict, turbulent and quarrelsome. This film is an insider’s narrative, representing the corrupt practices and cruel politics in educational institutions which degrade these institutions. It is also making poisonous impact on the society as a whole. Living in this vicious atmosphere the characters of this film are not aloof of its evils. They are part and parcel of the ambience around. The youth is advancing to indulge in organized crime. The political structures as well as socioeconomic conditions are responsible for such violent degeneration. Despite the dominantare drug addicts, turbulent and quarrelsome but they understand life very well. Rather they are very close to life.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
