The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

A small provincial town is home to two rival teenage gangs, one devoted to loose living and punk music and the other a collection of narrow-minded bodybuilders obsessed with order and convinced of their own moral rectitude. However, this cosy state of affairs is upset by the arrival of two strangers dressed like Pushkin, the famous early 19th century Russian poet, who proceed to found their own organisation, dedicated ostensibly to the memory of the great writer and the "salvation of Russia". Gradually, they begin to assume control of the town...
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.