
Aino, a pilot intern in her small plane, is assigned on a mission to locate a mysterious lost space probe that has fallen down to earth near the arctic circle. Events make an absurd, surreal, maybe a dadaist turn after which to reach her objectives, Aino and her peers are obliged to search for the answer to the mysteries of the modern human condition. Thus follows a satirical, antimodernist continuum of monologues, mixed-media footage and introductions of modern subjectivity. The film is a flight through the darker sides of fossil-fueled European rationalism, shedding light on techno-capitalist-individualist age of modern alienation, hauntological nostalgies of imagined futures, the profound problematics of translating human communication, the post-human sides of Jean Sibelius – and finally – the reindeers of the north.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.