Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Hugo Stiglitz is a treasure hunter who leads an expedition that includes Roberto Ballesteros, an important scientist, and Edna Bolkan, a beautiful anthropologist, into the jungle. The group arrives at an ancient tomb and after opening it, they take the bones found inside. But the remains in the tomb seem connected to a high priest who was sacrificed. By violating the tomb, the group has unwittingly awoken a diabolical being named Chaneque, who will commit the bloodiest murders in order to retrieve the stolen remains. The key to the plot is a little girl who the beast intends to kill
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
An adventure that centers on freedom and captures viewers' hearts.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.