Shinrei Shokudō 2 

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.

It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.