Miyoko Sekiguchi, who works at a second-rate trading company, and car mechanic Koji Fukumoto are in love. The morning after Koji and Miyoko went out for a drive, the strangled corpse of a call girl is discovered in Toyamagahara. Chief Akagi, Detective Sergeant Sawada, and the other detectives begin to suspect Koji during their investigation. Koji insists he's innocent, but has no evidence to prove it. Even when detectives come to Miyoko's home and workplace and her coworkers begin to look down on her, Miyoko continues to trust and love Koji...
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
