"Supergirl": The Bravery And Ferocity Of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."

Netherlands, 1944 - When three wounded British Paratroopers find themselves behind enemy lines, they take shelter in a remote cottage inhabited by a Dutch mother and daughter. What seemed to be a safe hiding place quickly becomes a deadly prison, and the three men not only have to face the German enemy, but also their worst inner demons.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Sam Levinson's latest film can't keep up with the excellence of its performances.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.